Imagine this. A sculptor with means from New Zealand [Robert Onnes] is gobsmacked by how cheaply a factory is offered in HP and buys it...
...then connects with a well-known god-father of Detroit Cass Corridor art [Robert Sestok] and...
...the result is this major exhibition in a re-purposed abandoned factory in an industrial no-man’s land.
This is easily the biggest [in cultural significance and physical size] art event in recent Detroit history, certainly in this century, with a honor roll of important Detroit artists.
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