Imagine this. A sculptor with means from New Zealand [Robert Onnes] is gobsmacked by how cheaply a factory is offered in HP and buys it...



...then connects with a well-known god-father of Detroit Cass Corridor art [Robert Sestok] and...


...the result is this major exhibition in a re-purposed abandoned factory in an industrial no-man’s land.



This is easily the biggest [in cultural significance and physical size] art event in recent Detroit history, certainly in this century, with a honor roll of important Detroit artists.